Preparing for the Exhibition - Part II

April 6, 2018

Matting

Framing is an art form and not only because it requires some skills to frame a photography in order to look good without dust or lint on the picture, extensive knowledge about material and the process is required to do it 100% correctly. Conservatory framing requires material of archival quality. But all this is only true if you plan to present the artwork in the frame for a long time period. Exhibitions often dońt require this amount of effort and investment. Nevertheless I want my photographs to be presented in the best possible manner, therefore some care was required to do the matting and framing correctly.

Preparing for the Exhibition - Part I

March 27, 2018

The Concept for The Between The Light Exhibition in Freiburg

I was super thrilled and excited when I learned that I will have the opportunity to exhibit my work in Freiburg in the the Bahnhofsturm. This excitement lasted for almost and hour until I realized how many challenges this will bring along. Of course we all want to go out and show the world how good we are, what fine images we take, but then again, do we really make photographs that matter? Who wants to see them? With the excitement the doubts came simultaneously.

New Analog Prints from MeinFilmLab - Test

May 19, 2017

C-prints from @MeinFilmLab

I have written about MeinFilmLab before and I personally have a lot of respect of what the team around Jörg Bergs has achieved over the last two years. The lab was literally established from scratch and what began in his basement has now grown to a already renown photolab that offers a complete workflow for the modern analog photographer. I don´t know the exact numbers but I would not be surprised if the MFL already handles the big amount of analog film development in Germany. But who cares about numbers. As we all know, the photographic workflow needs a final output which is in most cases a print. While we are often happy with displaying photos on our smart phones and tablets, there is a certain fascination of a physical print.

Backalley in Hong Kong - Yashica Electro 35 - Kodak TX400 - XTOL 1:1 - Kodak Pakon Scanner

Printing scans from a Kodak Pakon F135 Scanner

January 2, 2016

How big can you print from 6 Mega-pixel files

I was never happy with how my Epson V700 scanned 35mm film. Don´t get me wrong, it is not bad, but in the end it is a massive pain to mount and scan a whole roll of 35mm film. On my search for a new scanner, I came across many suitable solutions from dedicated film scanners to small minilab scanners like a Noritsu LS-600 or the Kodak Pakon F135+. Chatting on Twitter about the benefits of each scanner I decided to go for a Pakon F135. Mike Poulit was kind enough to answer all my Pakon related questions. Finally I could not resist any longer and I ordered a Pakon F135 non-plus version from AAA image solutions in the US.

INTRODUCTION

What is it that draws photographers to film, despite its somewhat outdated nature? I've written at length on this blog about the tactile, emotional, and aesthetic qualities of analog photography — and I still believe that digital can rarely replace the joy of loading a roll, advancing the film lever, hearing the satisfying shutter sound, and embracing the beautiful uncertainty of results.

Still, digital photography is often more practical. That’s why so many film photographers — myself included — look for tools to emulate the feel of analog film in a digital workflow. Over the years, a number of companies have emerged in this space: Mastin Labs, RNI, The Classic Presets, Dehancer — and now, a new contender: ColorPrecision, developed by film enthusiast and colorist Owen Markham.

Exploring the Floating City with a Canon AE-1

Venice in the fall. The city breathes differently when the summer crowds fade. The soft, diffused light reflects on the water, casting subtle ripples on ancient facades. The damp air carries the scent of salt and history. I arrived with no fixed plan—just my Canon AE-1 and a few rolls of Kodak Vision3, ready to capture whatever unfolded in front of me.

DEHANCER FILM LIGHTROOM PLUGIN REVIEW

A personal take on one of the most popular film emulation tools

This isn’t your typical review! Instead, it’s a report on my hands-on experience with Dehancer Film, breaking down the key aspects of the software. After experimenting with its interface and creating a range of looks, I wanted to see if Dehancer could complement my digital workflow, especially since I primarily shoot analog film.

ColorPrecision Review

A FRESH TAKE ON KODAK FILM EMULATION FOR LIGHTROOM

A SILENT JOURNEY THROUGH VENICE

The Ultimate Way of Digital Film Emulation

No. 24 — A Visual Journey

Introduction On many of my travels, I often seek out architectural gems: small houses that are iconic and stylistically significant but lie off the beaten tourist paths and aren't featured on every influencer's account. One of these significant masterpieces is the Alvar Aalto House in Helsinki, a place where architecture and light form a poetic symbiosis. During my visit, I was impressed by the thoughtful spatial design and the warm, natural lighting. The flowing forms and organic materials tell the story of an architect who masterfully knew how to direct light. To view the rooms undisturbed and in peace, the Alvar Aalto Foundation limits group sizes to a small number of participants. After a very knowledgeable and engaging tour, I had the opportunity to explore and photograph the house on my own. I will elaborate on the specific photographic techniques later, but first, let’s take a brief look at who Alvar Aalto

Camera Scanning Part IV

If, like me, you've been captivated by scanning over the years and simply enjoy digitizing film, it's clear that you follow the market and the countless options available to you. I've written several times about the possibility of building your own small scanner setup. By now, my own setup has changed significantly and what started with a few simple components has grown into a very precise tool. I get a lot of joy from it and can finally scan films the way I want. However, to get this far, I had to overcome several hurdles. But let's start from the beginning.

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A FRESH TAKE ON KODAK FILM EMULATION FOR LIGHTROOM

INTRODUCTION

Exploring the Floating City with a Canon AE-1

DEHANCER FILM LIGHTROOM PLUGIN REVIEW

A personal take on one of the most popular film emulation tools