• Projects
  • Journal
    • Tomorrowland
    • Between The Light
    • Exhibition Catalog - Between The Light
  • About
  • Contact
Menu

Sebastian Schlueter

  • Projects
  • Journal
  • Books
    • Tomorrowland
    • Between The Light
    • Exhibition Catalog - Between The Light
  • About
  • Contact

Grand Hotel des Iles Borromees

September 20, 2015

Enjoy The Elegance and Tradition of one of the leading Italian Grand Hotels

Photo essay by Sebastian Schlueter

Fuji Pro 400H - Hasselblad 500cm - scanned & processed by meinfilmlab.de

View fullsize Lago_Maggiore_2015-2728.jpg
View fullsize Lago_Maggiore_2015-2744.jpg
View fullsize Lago_Maggiore_2015-2733.jpg

The glamorous days of Grand Hotels seem forever gone in days where one Hotel looks like the other. This is why I was so fascinated walking through the entry gate of the "Grand Hotel des îles Borromess" in Stresa at the west coast of the "Lake Maggiore" in Northern Italy. It is like traveling back in time, back to those days where individuality was common and Hotel chains have not yet been invented. Elegant mirrors and marvelous chandeliers decorate the lobby of the Grand Hotel. All the small details bag for attention. A warm welcome from the boy opening the door to this exclusive house gives you the feeling of being special, even without being a guest. The charm and the spirit of the good old days is present all over the place.

Ernest Hemingway stayed here several times recovering from war injuries in 1918 in the age of 19 and coming back to enjoy the place in 1927 and 1948. Reminiscing about the beauty of the place, Hemingway set part of his novel “Farewell to arms” in the hotel.

Opened in 1863 it soon became "The Grand Hotel" on the lake. After opening the Simplon Pass in 1906 and the accompanied introduction of the "Orient Express", Stresa´s railways station became a mandatory stop for travelers on the route "London - Paris - Milan - Venice - Istanbul". This was the birth of the tourism boom in Stresa.

After some troublesome years during World War I and II, the Grand Hotel soon recovered and managed to maintain it´s status as the number one address in the region. In 2013 the hotel celebrated its 150 anniversary.

View fullsize Lago_Maggiore_2015-2722.jpg
View fullsize Lago_Maggiore_2015-2747.jpg
View fullsize Lago_Maggiore_2015-2748.jpg
View fullsize Lago_Maggiore_2015-2749.jpg
View fullsize Lago_Maggiore_2015-2752.jpg
View fullsize Lago_Maggiore_2015-2754.jpg

Isola Bella - Lago Maggiore, Italy

Grand Hotel des Iles Barromees in Stresa, Italy.
Photographs by Sebastian Schlueter on Fuji Pro 400H - Hasselblad 500cm and Fuji X-E2 developed with Mastin Lab Fuji 400H Presets.

In Film Photography, Digital Photography, Photo Essay, Travel Tags Lago Maggiore, Lake Maggiore, travel, essay, Photo Essay, hotel, Grand Hotel, Fuji X-E2, Fuji Pro 400H, mastin lab, digital, analog, m, Mein Film Lab
← Understanding Color Negative Film For ScanningMuir Woods →

TOP CONTENT

Scanning Tutorials

All about film scanning

Interviews

Artist Interviews

ARCHIVE

CATEGORIES
  • Film Photography 46
  • Scanning 35
  • Travel 27
  • Photo Essay 26
  • Tutorial 18
  • News 14
  • Digital Photography 13
  • Silverfast Scanning 12
  • Review 10
  • Interview 9
  • project 5
  • Field Notes 4
  • Fujifilm X-Series 4
  • Printing 4
  • Book 3
  • Freiraum 2
  • essay 2
  • Bayside Impressions 1

 

Recent Blog Posts

Featured
ColorPrecision Review
ColorPrecision Review

A FRESH TAKE ON KODAK FILM EMULATION FOR LIGHTROOM

INTRODUCTION

What is it that draws photographers to film, despite its somewhat outdated nature? I've written at length on this blog about the tactile, emotional, and aesthetic qualities of analog photography — and I still believe that digital can rarely replace the joy of loading a roll, advancing the film lever, hearing the satisfying shutter sound, and embracing the beautiful uncertainty of results.

Still, digital photography is often more practical. That’s why so many film photographers — myself included — look for tools to emulate the feel of analog film in a digital workflow. Over the years, a number of companies have emerged in this space: Mastin Labs, RNI, The Classic Presets, Dehancer — and now, a new contender: ColorPrecision, developed by film enthusiast and colorist Owen Markham.

Read more →
A SILENT JOURNEY THROUGH VENICE
A SILENT JOURNEY THROUGH VENICE

Exploring the Floating City with a Canon AE-1

Venice in the fall. The city breathes differently when the summer crowds fade. The soft, diffused light reflects on the water, casting subtle ripples on ancient facades. The damp air carries the scent of salt and history. I arrived with no fixed plan—just my Canon AE-1 and a few rolls of Kodak Vision3, ready to capture whatever unfolded in front of me.

Read more →
The Ultimate Way of Digital Film Emulation
The Ultimate Way of Digital Film Emulation

DEHANCER FILM LIGHTROOM PLUGIN REVIEW

A personal take on one of the most popular film emulation tools

This isn’t your typical review! Instead, it’s a report on my hands-on experience with Dehancer Film, breaking down the key aspects of the software. After experimenting with its interface and creating a range of looks, I wanted to see if Dehancer could complement my digital workflow, especially since I primarily shoot analog film.

Read more →
No. 24 — A Visual Journey
No. 24 — A Visual Journey

Introduction On many of my travels, I often seek out architectural gems: small houses that are iconic and stylistically significant but lie off the beaten tourist paths and aren't featured on every influencer's account. One of these significant masterpieces is the Alvar Aalto House in Helsinki, a place where architecture and light form a poetic symbiosis. During my visit, I was impressed by the thoughtful spatial design and the warm, natural lighting. The flowing forms and organic materials tell the story of an architect who masterfully knew how to direct light. To view the rooms undisturbed and in peace, the Alvar Aalto Foundation limits group sizes to a small number of participants. After a very knowledgeable and engaging tour, I had the opportunity to explore and photograph the house on my own. I will elaborate on the specific photographic techniques later, but first, let’s take a brief look at who Alvar Aalto

Read more →
Camera Scanning Part IV
Camera Scanning Part IV

If, like me, you've been captivated by scanning over the years and simply enjoy digitizing film, it's clear that you follow the market and the countless options available to you. I've written several times about the possibility of building your own small scanner setup. By now, my own setup has changed significantly and what started with a few simple components has grown into a very precise tool. I get a lot of joy from it and can finally scan films the way I want. However, to get this far, I had to overcome several hurdles. But let's start from the beginning.

Read more →

No results found
Journal RSS

Impressum – Site Legal Notice  |  Datenschutzerklärung – Privacy Notice | AGB / Term & Conditions