Back again with a color negative film scanning example. I had to re-scan this image for a book project as the lab scan did not have enough resolution for the book and therefore I thought this would be an intersting example for everybody interested in scanning film.
In the video I show the steps I do in SilverFast HDR Studio. SilverFast HDR Stduio works with linear scans and if you are interested in how you make these scan check my previous blog post for a detailed explanation. Read More
This is going to be a short post. In order to use SilverFast HDR Studio as an archival workflow solution as well as for a optimized FineArt workflow I find the idea of creating linear scans fascinating. What we basically do is splitting the workflow into two parts. First is the scanning process and second the post-processing that is required for every scan. During the scanning we make sure that we capture all relevant data from film. In order to do so, we do not alter the data in any way and we save the file as a linear 16bit Tiff file. Read More
A workflow concept using an Epson flatbed scanner and Silverfast HDR Studio.
It has been a while since I posted my last video here. After my visit to Photokina in September I realized how many photographers see digitalizing their archive of slide film as a big challenge. I do agree that it is a time consuming task, but the reward of having the complete body of work on the hard drive is worth it in my opinion.
In this video I introduce a concept that includes Silverfast HDR studio. The scanning part of the workflow will be detached from the processing part and this will make the whole process absolutely future proof. Read More
This will be a short video, that shows how quick and easy a workflow for scanning color negative film can be. Read More
Epson´s consumer scanners all come with "Epson Scan", a scanning software for all needs. Many scanner operators however tend to use third party software for their scanning tasks. Today I will show you how to get good results from Epson Scan, but I will also try to elaborate the drawback of Epson Scan and why Silverfast will give you even better results in the end. Read More
After my video tutorial in the last post, I thought a short follow up post with a detailed example would be helpful. So, no video today, but some further explanations on how I scanned the photograph below. But just in case you have missed the video, I highly recommend going back and watch it. It will give you a good overview of all the tasks required during the scanning process. Read More
I always wanted to write about scanning color negative film. Now I was finally able to put together this site with lots of useful information to get started with scanning color film. The main part of this section is the video tutorial that can be found below.
While positive film seems so much easier to scan, obviously you can see the positive image already, it seems some kind of mystery to scan print film. The first thing you hear is, that you cannot get accurate results due to the orange mask. The orange mask and the fact that the image is inverted are of course two complications we have to deal with, but these challenges are not as complicated as you might think. The biggest problem is that we need to accept the fact that there is no accurate or "correct" scan that we retrieve from the scanner. Even during darkroom printing all prints were interpretations. The old Ansel Adams quote about the score and the performance is also true for color film. Once you have accepted this, you are good to go!
Make you own scans, your own interpretations, give the scans your artistic voice. That is what makes home scanning so fascinating. Read More
In my previous post I mentioned that I try to replicate the work done in the traditional wet darkroom. Today I would like to introduce these techniques to you and show you their digital equivalent. Read More
From a negative to a black & white "Master-Print-File"
Black and White printing has always been a mastery that requires many years of learning, knowledge and dedication. Nothing will ever compete with a carefully printed black and white print. However acquiring these skills, maintaining a darkroom and finding the time to print regularly exceeds the possibilities of most people. Digital made things easier, but still it can be regarded a mastery to skillfully make a digital master print file from an analog negative. This tutorial will show you in detail how to scan black and white medium format negatives and than process them in Adobe Lightroom like the old masters did it in the darkroom. Read More
In my last post I talked about how to prepare Silverfast for negative scanning. Today I aill show you how I mount my medium format film into an Epson V700 film holder. Therefore I have prepared a short video showing how I do the mounting. Let me just tell you real quick why I use the conventional Epson holders and not any kind of third party holders which get good critiques. Well, I have used them, literally every mounting solution availbale for the Epson V-series, and I must say in the end they are not worth the effort. I find the conventional standrad Epson film holder do their job very well. Maybe I am lucky and my scanner is manufactured the way it should be, but I was able to get better sharpness and grain from the Epson holders than from any other holder I was using. Read More
When I started scanning film, I thought it would be an easy process. I severely underestimated the learning curve required to become a good scanner operator. I intentionally use this term, as it precisely describes what you do when scanning film. Beyond the basic operation of the scanner and software, you need to make basic artistic decision when scanning, similar to those made by master printers in the traditional darkroom. Read More