Between The Light (Book)

It has been a long project, but in the end I was not even sure if I am ready to wrap it all up and call it quits. What begun as a simple exploration and not really a project has evolved to a big collection of images that I have gathered over a time period of almost 4 years. I spend these four years with traveling and walking [...]

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Optimum Resolution & Sharpening Settings for Epson Scanners

How to get the most out of your Epson V700, V750, V800 or V850

Have you ever wondered what would be the best settings for your scans with an Epson flatbed scanner? Well, there are two ways of getting those values and one of them is a s simple as reading this blog post. I did some testing with an USAF 1951 resolution target and I will share my findings with you. These settings work great on my scanner, with my mounting solution and chances are that they work for your flatbed scanner as well. Of course the optimal way of doing it, is investing some time and money and do your own tests. In this blog post I will explain what is required to do the tests and provide you with the link to some more detailed explanations. So it is totally up to you if you want to do your own tests or play around with my settings and see if they work for you.

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Color Negative Scanning Example No.2

Back again with a color negative film scanning example. I had to re-scan this image for a book project as the lab scan did not have enough resolution for the book and therefore I thought this would be an intersting example for everybody interested in scanning film.

In the video I show the steps I do in SilverFast HDR Studio. SilverFast HDR Stduio works with linear scans and if you are interested in how you make these scan check my previous blog post for a detailed explanation.

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How to make linear scans with SilverFast 8.8

This is going to be a short post. In order to use SilverFast HDR Studio as an archival workflow solution as well as for a optimized FineArt workflow I find the idea of creating linear scans fascinating. What we basically do is splitting the workflow into two parts. First is the scanning process and second the post-processing that is required for every scan. During the scanning we make sure that we capture all relevant data from film. In order to do so, we do not alter the data in any way and we save the file as a linear 16bit Tiff file.

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Archiving Slides

A workflow concept using an Epson flatbed scanner and Silverfast HDR Studio.

It has been a while since I posted my last video here. After my visit to Photokina in September I realized how many photographers see digitalizing their archive of slide film as a big challenge. I do agree that it is a time consuming task, but the reward of having the complete body of work on the hard drive is worth it in my opinion.

In this video I introduce a concept that includes Silverfast HDR studio. The scanning part of the workflow will be detached from the processing part and this will make the whole process absolutely future proof.

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Analog Portrait Workshop with Jesse Struyvelt

Supported and organized by MeinFilmLab Germany

Choosing a workshop is not easy. Many photographers and self acclaimed photo experts offer workshops these days and I suggest that most of these workshops are either ineffective, boring or aim at beginners. The most important aspect to look at when choosing a workshop is obviously the photographer who is conducting the workshop. This does not necesseraily mean it should be one of the big names, but it should be a person that has something valueable to tell. I don´t attend workshops often, but when I learned about the workshop conducted by Jesse Struyvelt happening during the Summer Festival of the MeinFilmLab, I was immediately hooked. No doubt I wanted to join.

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